viernes 16 de diciembre de 2011

Kitchen from the stars




Well, after the last proposal: Kitchen from the stars, already presented. I decided to change the graphic contents and modify the first pictures. Here is the result.
Kitchen from the Stars, or the kitchens of the stars......

..............................................................................................................................................................................................................................


Once again I propose a series of paintings to hang in the kitchen. For this new collection I took some pictures with paintings made ​​some time ago, I proceeded to scanning and later manipulated with digital tools. This new collection will be available from january 2012. From each of the pieces I've posted a run of 100 units. So far I have made ​​digital prints on paper and maybe on canvas. The formats available are 30 cm x 40 cm a. The collection is up to 12 different pieces.
thanks
Could you imagine a kitchen picture from the stars in your kitchen?


CEBU INVEST - Corporate Design




Auf den Philippinen investieren und nachhaltig profitieren
 
Cebu City ist die zweitgrösste Stadt der Philippinen und eine aufstrebende Wirtschaftsmetropole. Grossunternehmen aus allen Erdteilen bauen zurzeit in Cebu ihre Niederlassungen auf und sorgen für einen gewaltigen Immobilien-Boom..... Read more

Recently I have been working and creating the corporate design of CEBU INVEST. Soon more contents and info in the website. I would like to wish all the best to Magnus Karlsson and Robert Wildi.

sábado 10 de diciembre de 2011

Gallery art333

During this month of December 2011. Different artworks will be exhibed at gallery art333.ch This pictures represented the idea. Thanks.
From PIENSA Collection 2010 until the Kitchen Pictures 2011.




lunes 14 de noviembre de 2011

Kitchen from the Stars




Kitchen from the Stars, or the kitchens of the stars. Once again I propose a series of paintings to hang in the kitchen. For this new collection muestars I took some pictures with paintings made ​​some time ago, I proceeded to scanning and later manipulated with digital tools. This new collection will be available from enrofloxacin 2012. From each of the pieces I've posted a run of 100 units. So far I have made ​​digital prints on paper and on canvas. The formats available are 70 cm x 50 cm and 41 cm x 29 cm. The collection is up to 10 different pieces.


The world is round. But deformed.






The world is round. But deformed
My vision is a world distorted, strangled, tortured and raped happily. As a contemporary citizen of this time, I played and I highlight some of my feelings. And also, incidentally, the honorable duty of looking critically at everything that happens around me.Visual part.It was relatively easy. Take some pictures of the odd map and recreate a set of effects to generate all this operetta spaces that are pressed and deformed into a mass hysteria. The poor definition and sharpness in the images due to our partial blindness. A certain degree of definition had not corresponded with my vision, nor the purity with which you absorb this reality.Move all this part graphic exhibition space and layout of the work is indicated (photo 1 and photo 2). Parts near the ground, ready to be "almost" trampled ... Try looking in the audience, the odd position impossible, to deploy a game of movement, dance atrophied betray our absolute inability to declare an open war of light to all what happens now: The ongoing management of all grotesque, mocking irrationality and creaky, crooked money, and so on.Action / Reaction /. ...Look at the pieces from the distance, near, bending, and ask that decorates the position in space. Or not question anything. That's another. But that provision and the very visual aesthetic, stunted and fuzzy, no longer go unnoticed and contrast with the other picture that makes up the exhibition ...Looks who cherish hope.To conclude this project, it was necessary to find a space within space and have one last piece there. A colorful map of the world as a teaser and invitation to all those viewers and citizens wanting to visit the exhibition, accompanied by children can do. The layout of this one piece, unlike the others, get a new high, but still leaves the field of view that an adult can configure. The height corresponds to an infant's visual approach, at the height of their smiles. Trying to capture and project into the space, that innocence and hope that only the eyes of the children get to give us a free and honest. The piece, a colorful map of our world and radiant, also a somewhat unusual in its pictorial composition, shines elsewhere and serves as a catalyst to give the other 12 pieces that fit into a sense of exposure.After exposure can be determined by a school or social interest, where this piece can rest (gift of the artist).
dil toro, November 2011

Technical features of the work:The collection consists of 12 pieces.25 numbered copies will be made in the collection.Digital print on canvas and paints.Dimensions of each piece: 13 cm x 13 cm x 2 cm.Each of the collections is indivisible.1 piece exclusive (world map) 100 cm x 70 cm. Mixed media on paper.

miércoles 21 de septiembre de 2011

Kitchen Apron

While everyday women were using kitchen aprons for a variety of tasks, television shows mirrored this by featuring women wearing aprons in nearly every episode of family favorites. Over the past four decades, many of these shows have been in re-runs allowing later generations to have a peek into life in the 1950s. Naturally, it was not as idyllic as portrayed on television, but the shows have helped develop a stereotype of both the 1950s, in general, and kitchen aprons.

Magazines from the 1940s and 50s feature apron-adorned women in nearly every advertisement that is related to housework or cooking. It was a standard uniform that, at the time, was not frowned upon. Aprons were a selling feature for irons, kitchen appliances, food products and more.

The kitchen apron remained a common fixture in homes for more than a century until the late 70s and into the 1980s. By then, primarily food service workers and weekend barbecues were using the apron. While there are many kitchens in America that are apron-less, it is experiencing resurgence in popularity for many women. According to Antiques and Collectibles magazine, aprons of the 1950s have been "experiencing a revival." Younger generations are looking back to what their grandmothers had and emulating it in a new way. Retro housewives clubs are popping up in large cities and over the Internet; looking back to the past for inspiration and style.

"In the kitchen were I grew up there was a drawer for nothing but aprons. My mother and grandmother would not be caught in the kitchen without one. I remember lime green with lace, pink calico, a blue one made from the same material as the tablecloth, a brown one with yellow chickens, a yellow one with teacups and saucers. The first thing I see when that room rises up in memory is a woman standing by the stove -- a woman in a kitchen apron." Text from: deerlakeaprons.com

Working in the last months with stamps. I decided to insert this ideas into the Apron. Here is the result